|San Francisco Public Library|
My whole family went with me to the opening reception for Kalligraphia 13 last Saturday! Okay, I had to bribe them with lunch beforehand...but they were gracious and enthusiastic while I oohed and aahed over the amazing, varied, and outstanding work of my SF Friends of Calligraphy colleagues.
I'll never forget the thrill, six years ago, of seeing my Letters of Note exemplar displayed in the Kalligraphia 11 exhibit! The show happens every three years, but I missed Kalligraphia 12 during the year I couldn't hold a pen due to adhesive capsulitis (frozen shoulder). It was good to be back.
I came upon my piece, Grace, close to the entrance in a case right next to (gulp) the venerable Thomas Ingmire. Susie Taylor--gifted calligrapher, Harrison Collection curator, and overseer of the exhibit---made sure I knew that show placement had to do only with where the pieces fit physically, not with comparative artistry. Well, duh! Lucky for me, they let anyone in...
Also sharing "our" display case was Ann Miller, who had been my teacher for a summer course in 2004 at the Academy of Art University, a fantastic overview of pretty much the whole history of calligraphy. That foundation has served me well. Thank you, Ann!
|Ann & Lance Miller|
Seems as if six years ago I was just getting going with pen and ink, a stranger in a strange land; this time I was delighted at how many of the artists I knew, and how many of the pieces I had seen in process during various classes and workshops. Case in point, Ruth Korch's Hyacinths for the Soul from the Liesbet Boudens weekend last August:
|Ruth Korch (top)|