So I've been playing around with colored pencils lately, and in one online tutorial it was suggested that one use a "colour shaper" tool (apparently used primarily for making designs in clay) to apply masking fluid, which is gooey gluey sticky stuff to keep the page white wherever it is applied, creating a spot of light on, say, an apple. And since I'm doing a lot of engrossing these days, my first thought was...Instacoll!
Instacoll (used for applying gold leaf), is great stuff but devilish to get out of a brush--also gooey gluey and sticky. Some teachers say to use a good brush and clean it well; others say not to. I have a dedicated brush labeled "Instacoll", but it's not exactly in pristine shape. Not helpful for the old brush control...
But lo! Enter the Royal Sovereign Colour Shaper! It's a silicone tip (no bristles) and the Instacoll rubs right off it, good as new. It comes in different sizes; the one in the above photo is a #2 but I just bought a #0 (both pictured below) and haven't tried it yet. The tip on either one is fine enough to work the small details.
Royal Sovereign Ltd. Colour Shapers #2 and #0
Anyone else playing around with these? How are they working for you?
I always leave the annual IAMPETH conference full of enthusiasm and fresh inspiration, ready to experiment and stretch my comfort zone, and this year is no exception. What a week! There is much to tell, but I'll start here: colored pencils! Bob Hurford taught a short evening session class on the topic and I've been playing around with illumination using Prismacolor Premier pencils. Definitely slower than gouache or watercolor, but for me, easier to control! The "B" is an outline by E. E. Marlatt; the gold is Finetec Inca.
I've always loved letters...and feel most at home in my calligraphy studio or among fellow "pen people".
"Mil Plumas" is Spanish for "a thousand pens" or "a thousand quills", and is also a nod to my late grandmother who was a writer named, oddly enough, Mildred Pluma.
I am a member of IAMPETH, San Francisco Friends of Calligraphy, and Society for Calligraphy of Southern California.